Both “Catspaw” and “I, Mudd” feature a variety of professional actors hamming it up, but only in “Catspaw” does the ham actually smell a bit off, probably because of the giant cat. No, seriously: a giant cat. Meanwhile, in “I, Mudd”, the cast of The Original Series engages in improv theater, which results in one …
Welcome to this week’s Trekabout, where we give you a master course in Christian theology. In the beginning (“The Apple”), God was there with some guys and gals, and then Satan (Kirk) came and gave them the knowledge of good and evil (sex). Skip ahead a while (“The Doomsday Machine”) and God (Starfleet) sends his …
An evil mass-murdering robot? Why, it must be time for “The Changeling”, which tries to answer the question “what would happen if a robot could feel sad?” and kind of succeeds. “Mirror, Mirror” tries to answer the question “what if the Federation were the kind of organization that built mass-murdering robots?” and also kind of …
We made it! Welcome to season two of The Original Series. “Amok Time” is among the series’ best, what with all the soup-throwing, bell-playing, and Kirk-dying insanity, while “Who Mourns for Adonais” is among the series’ middling episodes, but we get a lot of mileage out of both of them. Richard thinks Sulu is sleeping …
Well, we’ve done it–we’ve reached the end of the first season of The Original Series. While “Operation–Annihilate!” has a pleasingly campy title, the episode doesn’t really add up to much–unlike our long discussion of television theory. It’s so long, in fact, that we pushed “Amok Time” to next week. Sorry, loyal listener–we’ll never lie to …
Boy, we really wish there was an alternative to “The Alternative Factor”, because it’s almost unwatchable and we’re sorry we have to put you, our loyal listeners, through it. If it’s any consolation, the other episode this week, “The City on the Edge of Forever”, is as great as the The Original Series ever got. …
Hey, remember “The Man Trap”? Well, we have a good version of that episode this week, with “The Devil in the Dark”. Hey, remember “Arena”? Well, we have a not-quite-as-good version of that episode this week, with “Errand of Mercy”. Hey, remember how The Original Series liked to recycle plots? Plus! Gene L. Coon is …
You know, Richard is weird. When war is maintained artificially, as in “A Taste of Armageddon”, he’s all for it, but when happiness is artificially created and maintained, as in “This Side of Paradise”, he’s all for that, too. It’s a good thing Eric is here to temper that insanity with a long monologue about …
“The Return of the Archons” is a lot like Richard’s Saturday nights: an explosion of violence and sex culminating in frustration and computer problems. “Space Seed” is a lot like Eric’s Saturday nights: quiet, but with an undercurrent of forceful evil. Eventually they both end, though, just like these episodes. Good thing they’re both pretty …
This week, we spend a lot of time talking about Starfleet uniforms, the operating agency of the Enterprise (is it Starfleet or UESPA? Questions!), and when exactly Star Trek is supposed to be set. I mean, do you really expect us to spend time discussing the plot details of “Tomorrow Is Yesterday” and “Court Martial”? …
